Chris Arrell music for throats, fingers & oscillators
Sketch
Chris Arrell

Chris Arrell is a composer, electronic musician, and associate professor at the College of the Holy Cross in Worcester, Massachusetts. His music, praised for its unconventional beauty by New Music Box, The Boston Musical Intelligencer, and The Atlanta Journal-Constitution, has earned him commissions from the Fromm Music Foundation at Harvard University, Music at the Anthology, Boston Musica Viva, and Spivey Hall, among others.


Arrell's invitations include a portrait concert at the Alte Schmiede (Austria), selection as the featured guest composer for the Pellegrini Festival of New Music (Ball State University), NEXTET (University of Nevada—Las Vegas), and the Cape Fear New Music Festival (Methodist University), and guest residencies with Collide-O-Scope Music (New York) and AURA (University of Texas—Houston). A winner of the Bent Frequency Underscore call-for-scores, Arrell is also a first-prize winner of the Suzanne and Lee Ettelson Composer's Award, and the International Ossia Music Prize. Additional honors include residencies at the MacDowell Colony and the Atlantic Center for the Arts, recognitions from the Salvatore Martirano Memorial Award and the League of Composers/International Society for Contemporary Music, and selection as a participant in a Fulbright-Hays Group Projects Abroad program to Chile and Argentina.


Arrell's publishers include Ablaze Records, Beauport Classical, Electroshock Records, Navona, Parma Recordings, SCI, and Trevco Music.

Array

Of Three Minds

Tony Arnold, soprano, Jacob Greenberg, piano, Chris Arrell, live processing

Listen on SoundCloud
First Prize — Suzanne and Lee Ettelson Composer's Award

Diptych

Amy Williams and Jacob Greenberg, prepared pianos

Listen on SoundCloud

Ghosts of Altamira

Joanna Kurkowicz, violin, Chris Arrell, live electronics and generative video

Accretion Shock

Audiovisual

Three's A Crowd!

Ellie Parker, saxophone, Chris Arrell, live electronics

Spirits and Spectra

Audiovisual

Game Theory

Stuart Gerber, percussion, Chris Arrell, generative video

The Cabinet of Dr. Caligari (live score)

Written in collaboration with the Holy Cross Laptop Ensemble Federation

video 65

dextro.org (video) — Chris Arrell (audio)
Commissioned by the Alte Schmiede

Recursion
Clexical
June 2024

Interview on Arrell's music and compositional philosophy with student-led nonprofit Clexical

Textura
Ron Schepper · April 2024

Review of Carnyx on Transition and Apotheosis (Navona Records/SCI)

Bent Frequency Continues to Push Boundaries
Jon Ciliberto · EarRelevant · March 2024

Review of Underscore prize-winning works concert

1 Track Podcast — S9E4
Hosted by Anthony Joseph Lanman · September 2019

In-depth discussion of Arrell's string trio Breathless

Holy Cross Music Prof. Wins Esteemed Composer Award
Holy Cross Magazine

Feature on Suzanne and Lee Ettelson Composer's Award

'La Cenerentola' Set to Open at San Francisco Opera
Cheryl North · Santa Cruz Sentinel · November 2014

Snapshot of Composers Inc., including preview of Ettelson Composer's Award Concert

Innovative Ensemble Combines Traditional Instruments with Electronic Music
Holy Cross Magazine · July 2017

Feature on the Holy Cross Laptop Ensemble Federation (H-CLEF)

20th-century avante-garde
Worcester Telegram & Gazette · October 2016

concert preview — Carlos Cordeiro and Dorothy Chan

Extra Hour of Sleep Can Build Extra Energy for Music and Arts Events
Amanda Roberge · Worcester Telegram & Gazette · October 2014

Preview of inaugural Holy Cross Laptop Ensemble Federation (H-CLEF) concert

Holy Cross Music Department Presents the Bent Frequency Duo Project
March 2014

concert preview

College Town
Bonnie Russell · Worcester Telegram & Gazette · June 2014

Feature on Arrell receiving the Suzanne and Lee Ettelson Composer's Award

New Music, New Sound in the Brooks Hall
David Griesinger · The Boston Musical Intelligencer · January 2014

concert review — Holy Cross Chamber Choir and others

Sounds Heard: Computer-Assisted
Alexandra Gardner · New Music Box · November 2013

Review of Arrell's portrait CD Diptych alongside releases by Claire Chase and Richard Teitelbaum.

Cutting-Edge Bugallo-Williams Piano Duo to Perform at Holy Cross
Holy Cross Magazine · March 2012

concert preview

Pianists show their pluck with 'Prepared Pianos'
Richard Duckett · Worcester Telegram and Gazette · March 8, 2012

concert preview — Bugallo-Williams Piano Duo

Running Start, Surprising Moments in New Works
Stefanie Lubkowski · The Boston Musical Intelligencer · October 2011

concert review — The Boston New Music Initiative

Elemental and Dynamic from Musica Viva
Joel Schwindt · The Boston Musical Intelligencer · November 2010

concert review — Boston Musica Viva

Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference (review)
Nicholas Deyoe · Notes · March 2010

Spotlights Arrell's analysis of Gérard Grisey's seminal Partiels

Review: The Spectral Legacy
John Croft · Journal of the Royal Musical Association 135, No. 1 - April 2010

Review of Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference. Highlights analyses by Arrell, Rozalie Hirs, and Tolga Tüzün.

Boston Music Viva: Remarkable Variety, Abundant Cleverness
Eric Culver · The Boston Musical Intelligencer · November 2009

concert review

Sonic Generator's Electric Balm
James L. Paulk · Atlanta Journal-Constitution · February 2008

concert review

Sing to the Sun: A conversation with Alvin Singleton, Atlanta's foremost composer
Mark Gresham · Creative Loafing · November 2003

Interview with Alvin Singleton in advance of inaugural Classical Now guest composer concert

Contact